The quote of the day, and that was just before 1pm! Too good to resist.
To those who know, welcome back, great to see you. And to those who don’t, it’s a warm welcome to you. And thanks for checking this out, the first of my day-by-day roundups of the events of FOCUS Wales right here at Millimagic in association with Unity!
Amelia gave me a major leg up when she first invited me to guest blog here two years ago, and I have returned each year since to do the honours. 2024 is my first year doing it without Unity being here in Wrexham too, and I’m still getting used to that to be honest! But I’ll definitely hold the fort down for her, and for everyone else interested.
Okay then, shall we get down to business?
My 2024 FOCUS Thursday kicked off with my usual walk over to Glyndŵr University to see not only the first of the acts scheduled to play, but also to reunite and catch up with the staff and students who I’ve become friendly with over the years. This here is Nia, who I initially met during her first year, saw her again during her year two, and now here again just weeks away from her graduation. So cool to see the transition and her confidence grow from year to year, and I wish her all the best in her career going forward.
The music part of proceedings kicked off with a showcase of Canadian talent, the first of it being Fold Paper. This ensemble, led by Chell Osuntade, produced a vibrant opening offering.
Plenty to listen to, and to be excited about.
Everybody who performs at the university also takes part in an interview later on to complete the media package. It was cool to watch from a distance, and to see Chell be calm and composed with his answers.
Next up at Glyndŵr were sibling led Candian band Vox Rea. Some relaxed, chilled numbers in the offing. And it was them who gave me my ‘dripping wet reverb’ tagline during their soundcheck!
Many different musical influences on display. The song they performed here was a particularly emotional one.
More acts played at the uni for a fair while longer, but as is my tradition, it was then time for me to head into the city centre and start the venue hopping! First on the agenda was my first 2024 visit to Hope Street Church and to check out a handful of Ukranian acts playing a showcase. First to see were Akine. No nonsense, straight from song to song, and completely held the attention of the assembled audience.
“Hi. My name is Ratmir Bilodid. I’m a performer…obviously”
The dry, subtle humour to go along with his multi-instrumental talent.
He did a good job, rather captivating.
Next to play was electronic artist NFNR, who explained that the majority of her work to be performed during her set was composed in 2022 around the time of the Russian invasion. A poignant reminder of the reality of the current situation.
From there, it was a first visit to Old No. 7 and the Larynx Entertainment showcase. Always great to touch base with Dave Acton, you saw him up above at the very top of this piece.
First to take the mic was Greyzee, his first ever time performing at FOCUS. He said that he was nervous afterwards, but he didn’t show it.
“What’s the vibes? MILLION VIBES!” KAYO brought the party, the carnival atmosphere and the general good vibes all the way from St. Lucia for his set. You couldn’t help but get down with him.
Always great to hang out with the Kaptin, wherever whenever. Kaptin Barrett is truly one of the industry’s good guys.
If the guy running the show is able to step up with bars of his own in the event of a scheduled performer having to withdraw, it isn’t the worst backup plan in the world. Dave Action handling his business on the mic…
…before taking his message directly to the people.
After saying my goodbyes, I then headed over to HWB Cymraeg to see Parisa Fouladi perform some beautiful songs in Welsh. Standing room only.
Well it would have been rude to have rocked up at the time I did and then stood in their way!
A FOCUS first then followed for me, as I then headed over to The Fat Boar for a first ever visit in any capacity. Providing the tunes was Nicole Ariana and her cool band.
The Rockin’ Chair always features in my FOCUS plans. A fleeting first visit this time around to catch Angharad and her band perform. The message up front means everything.
I was in The Parish the day before for the launch event. Back there properly at this moment to see Wrexham locals Jonny Ash do their thing.
I’ve seen them play once before, and it was great to have the pleasure once again.
I love returning to Tŷ Pawb, it is such a cool space! French band W!ZARD certainly attracted my attention during the planning stage for my own personal schedule, and the live experience of seeing them play certainly didn’t disappoint.
I just love this shot. A mixture of nonchalence and cool.
As I was leaving Old No. 7 earlier, I told Kima Otung that I would catch her set over at Tŷ Pawb later on. I’m a man of my word.
She’s a very confident performer.
Some country happenings next in the Flexible Space courtesy of Cowbois Rhos Botwnnong.
Yep, we made our choices. Not going to dwell on that here. I’d been waiting literally years for this moment to see Sage Todz play, and I was going to grab it with both hands…
…and I loved every second.
Back then to The Rockin’ Chair for the weird and wonderful part of proceedings.
I went to Room 1 to be graced by an intstrumental of ‘Sexy Extra Terrestrial’, heralding the imminent arrival of Wrexham settling aliens Cosmic Dog Fog. When one sees them, one never forgets the experience.
The short hop over to Room 2 saw me then witness Worldcub do their thing. Plenty to be enjoyed there.
A bucket list moment then followed in the big room, as I then saw Snapped Ankles in their latest emergence from the forest. As with Sage Rodz, I’d been waiting a very long time for this particular live experience too.
Whoever knew that trees could play music in a manner as good as this?
This picture does not in any way do justice to the amount of feral energy that SHLUG then brought to proceedings in Room 2. But keep reading…
Oh wait, what’s this!!!! NO WAY. Minas then emerged with a mic, and you know that intensity was immediately going to ratchet up!
So, so crazy. And I enjoyed it. And would have done so anyway even without their special guest.
But it’s still fun to hang out with one of my people.
I go to Manchester all the time for shows, and I like to keep my ear to the ground in respect of music and artists over there. Sometimes I miss a few, so it was great to make the acquiantance of Antony Szmierek as his band in the quintessential ‘better late than never’ manner. The party atmosphere of his set was the perfect way to close out the events of Day 1.
Wall to wall as usual when I’m in Wrexham without missing a beat.
I already showed you my plans for Day 2 in my last dispatch, and the full roundup of what was a glorious day will be coming your way early next week. So much good stuff happened, and I want to ensure that you get the full LG flavour with the time, care and attention that the piece deserves.
Here’s what I have in store for Day 3:
A visiting taste of Manchester comes to the fore with me looking forward to taking in the sets of The Red Stains and LIINES. But in bringing things back to Cymru, I’m so very pleased to be taking in the soulful reggae of Aleighcia Scott once again, and to see JP take to the mic at Old No. 7. With Deerhoof unfortunately being unable to travel over to Wrexham after this schedule was produced, Gallops are a more than worthy replacement.
The roundup to Day 3 will naturally follow after Day 2 early next week. Look out for them both.
And thank you very much for reading and engaging with everything that I have given you whilst here in Wrexham.
Take care and speak soon.
LG
Hi guys.
So what’s a FOCUS Friday for me without some kind of technological hiccup?
You’d think by now after what is now three years on the trot that I should have expected that I would have to deal with something like this, right?
But at the same time as my FOCUS writings I’ve been working on a major piece for a band whose new album comes out today on my own blog. This is a band that is very special to me, and I wanted to create something equally as special for them to go along with it.
I finished my end in good time, but then I had to deal with a bunch of technological setbacks that made my finished article not present in the way that I wanted it to exactly look. And that took AGES to fix.
So, sadly as a consequence, my FOCUS 2024 Day 1 roundup will not be with you just yet. You will have it on Saturday morning though, and who knows, if I have time I might be able to deliver to you Days 1 and 2 back to back.
But I will never of course leave you completely empty handed. As a taster of what is to come, here’s a shot of Cosmic Dog Fog who brought a touch of the weird and the wonderful to The Rockin’ Chair late on in proceedings.
Here’s what I have lined up for Day 2:
Today is definitely one for familiar faces. For the fourth FOCUS in a row, I will be watching my dear friends CHROMA take to the stage. In addition, reunions with Mali Hâf, Aisha Kigs, Niques and HMS Morris are on the cards, and I will also be watching Adwaith and Flamingods once again.
I’m looking forward to sharing my experiences of catching everyone on the list as soon as everything calms down with the technicals. So bear with me, and there should be more pictures for you to look at the next time around.
But for now, it’s a goodbye and speak soon.
Oh, hello there. Long time no speak!
I’m baaaaack. For those who don’t know, Leo’s the name, and I guess regular blogging is my game now.
I just launched a blog of my own, but my getting to this point only came after the friendliness and encouragement of a handful of people who believed in my writing ability.
And few more so than my gracious host here. Don’t you worry, there will be no primadonna behaviour from me. There will be plenty more Unity-LG collabs to come in future, and not just during the festivities of FOCUS Wales.
That LG Takeover link you see up above? It’s been there a while, and the hope was that I’d start writing more regularly here sooner. But I’ve had a few significant life changes and there are other things in my life that have taken a greater priority in my life over the past few weeks.
I’ve since managed to ‘recalibrate’ things if you will, and after this round of dispatches for FOCUS WALES 2024 is complete, you will be seeing a lot more content from me here in times to come. And bespoke pieces too, you won’t even find them on my own blog! (It’s called Enigmatic Shenanigans II, by the way.
But back to the here and now. I am very excited to be back here in Wrexham for my fourth straight FOCUS. Though it is with a tinge of sadness as it will be the first one not being in the company of Unity. She’ll definitely be missed, but the show must go on. And I endeavour to do her – and everyone else reading – proud with my content.
As always, the first place to read about day-by-day festival schedule is right here. So let’s get to it for Thursday, shall we? You know how I do, wall to wall always!
There are a lot of artists new to me when I get going in the morning, but there are some who have been on my (virtual) list of people who I’ve wanted to see for a while, such as Snapped Ankles. In fact, the only act here that I’ve seen before – and at a past FOCUS, no less – is Jonny Ash, one of Wrexham’s finest. Looking forward to seeing them grace a stage once again.
And now time to address the elephant in the room.
2145. Oh my days. Easily the worst clash I’ve had to deal with in my entire time attending FOCUS. So, so cruel. If you look at the schedule in full, you will note that two outstanding artists in Sage Todz and Skunkadelic are set to play at exactly the same time in different venues.
Why, FOCUS. WHY!!!!
And each with only one set too. In the end, I went with Sage Todz simply because I’ve been waiting for a chance to see him do his thing for literally years now, and even though I’m missing out on Tumi this time around, I’m sure we’ll bump into each other many times during the weekend, and it is inevitable that I’ll either see him onstage solo or with Afro Cluster at some point in the future. And hopefully soon.
As always, check back here on the daily or on the prompting of a link shared by Unity or myself. And hopefully you’ll have fun experiencing a taste of FOCUS vicariously through my experiences.
Bye for now!
TRIGGER WARNING: domestic violence and abuse
It’s kinda hard to believe that Dick Dastardly (real name Dean Thomas), a staple player in Cardiff’s Hiphop scene for the last 18 years, only released his debut solo EP in 2021 via Bard Picasso. His follow up track ‘Give Me Love’ was aptly released on Valentines Day this year, with a video featuring Lady AB (Annabelle Johnson) and shot by Charlie JPEG.
Produced by Raph Stormwalker, the track includes a sample of a woman’s voice ‘Give me Love so that I can kill’… which provides the anchor for Dastardly’s lyrics, which he describes as ‘an anti-love song within a love song’. The track is about abuse – both physical and mental, portrayed in the video through using S&M imagery and tightly shot in an attic space, giving the video a claustrophobic feel. When writing to the track, Dean wanted to capture the desperate feeling of wanting to be loved, but also a dark undertone which was reflected in the music. He had pictured the video throughout the writing process and enlisted Charlie JPEG to co-direct, film and edit what Charlie says was the hardest shoot he has done to date.
Because of the subject matter, the three artists, while not professionals in dealing with trauma, had to ensure that they approached the shoot in a trauma informed way. Pushing personal boundaries portraying something that sits uncomfortably close to home, they were conscious to create an environment where they could fully support one another throughout the process. Capturing the content in an honest and open way, whilst also protecting themselves was a tough job, but one which most definitely brought them closer together. Music can be a healing process, but a process which brings up things that are often buried extremely deeply and supporting one another through this is an important part of collaborating with others on creative projects.
The close relationship that Dean and Annabelle have in real life is what makes this video possible. They were able to explore the blurred lines between abuse and kink, sexualisation and normal, through Annabelle’s portrayal of a fantastical character sucking the soul from the other person in an abusive relationship. The tricky question of how to visualise trauma creatively is one that Annabelle was able to bring to life through approaching the project in a playful way. She was able to find a balance in the love/hate nature of the character she was playing through using humour within the darker content of the track and visuals, with the sci-fi element of the whip giving an extra layer to the overall fantasy.
Once the video was shot and edited, there began the problematic process of promotion. Facebook’s ban on sex and nudity, and the choice of the thumbnail image with the ball-gag, mean that the promo was removed from the platform, making it difficult to get the video seen. Charlie JPEG’s private story about the project was also flagged. A whole other conversation could be had around algorithms dictating how we express ourselves through music videos, but also how the choices we make in our content can affect others and how this can be approached. Annabelle being aware of the possibility of children seeing the video was something to be carefully thought about because as we all know, once something is out there it can be seen by anyone. Representing sexually empowered material, with a realisation that the intention behind the project is bigger than any one person, combined with the potential for the video to impact positively on somebody, means that Lady AB is proud they had the strength to give it a go.
Watch ‘Give Me Love’ on youtube:
Catch Lady AB at Fractal, 20th May in Bristol
Lady AB and Dick Dastardly both feature on Dirty Alex’s recent single ‘Built to last’
Purchase Great Ape Fist by Dick Dastardly: Great Ape Fist | Dick Dastardly (bandcamp.com)
Look out for his new project ‘8 Billion People in the World & I’m Stuck Here With You’, due out this summer, as well as an EP with well-respected producer DJ Alkemy and a spoken word EP.
As well as networking and taking bookings for shows outside of Wales, Charlie J is editing together footage filmed on a recent trip to Australia. He’s also working on an album so keep your eyes peeled for that!
How’s it going people, all good? Good, good. I know that I – your (sometimes) friendly wordsmith LG – cannot hear you, but I’m pretty certain you all said yeah, I’m good.
Are you ready to receive the very final part of my FOCUS Wales 2023 roundup, brought to you by Unity? Well, I should think and hope so if the ongoing positive responses I’ve been getting for my days one and two roundups are anything to go by! Again, in all seriousness, thank you very much. These things do not go unappreciated.
Okay then, day three? You ready (sitting comfortably or otherwise)? Then let’s begin.
The cover shot up above is with my dear friend Katie Hall, who fronts CHROMA. Taken one day after their set over at the Wynnstay Arms, and minutes before she took to the stage once again with HMS Morris. Scroll down to that part now if you like, but you’ll miss all of the good stuff in between.
I was to have a very busy day, once again seeing multiple acts over several hours. Again doing my missionary work, the band in question are The Lancashire Hotpots, sporting their RUN DMC parody tee with pride.
With the music-related festivities over at the university concluded for another year, I headed straight into town and over to HWB Cymreag to get things going. First off, a belly dancing performance courtesy of One Kabira.
Their performance went down a storm. A good marker for what was to come.
After having another welcome encounter with NADUH as they were making their way over to Old No. 7, I made my final 2023 visit to Hope Street Church to take in part of a showcase of artists from Hong Kong.
First up was XTIE. I liked what I heard from her in my planning stage for this year’s go round, her song ‘new classic’ is worth a listen. Sounded very good live.
Bedroom Party then took to the stage. I particularly enjoyed the songs they played that you could have a serious dance to, such as ‘Inside My Head’. One notable thing was when they went full on into their set at a time when I thought they were still soundchecking. Definitely caught me out and a few others there! But no complaints, just more to enjoy as it turned out.
Final set for me at Hope Street Church came courtesy of Prune Deer, who mainly played instrumental tracks. Something a little different, a change of pace, but one that I liked.
I then crossed the road back over to Old No. 7 to join this big crowd. There were a lot of people there for the next act, many of whom I knew. I could quite have easily spent over an hour in there just talking to everyone.
So yeah, people showed up – and rightly so – for ADJUA. Remember the name people. With the right guidance, she’s going far.
This shot doesn’t do enough justice to the amount of people who were in there representing for her. People were around several feet deep in every direction that I looked.
It’s clear to see that she puts a lot of heart and soul into everything that she creates.
I wish nothing but good things for ADJUA as she progresses. I certainly hope to see her play again before long.
A wide shot of my one and only visit of the entire weekend to Llwyn Isaf, the flagship FOCUS venue. The headliners of course are the biggest sell, but there will always be artists playing elsewhere at the festival who are just as worthy of your attention, and that was the case for me in 2023.
I was there to see Cosmic Dog Fog. After listening to their Spotify output and reading the bio contained within, I was expecting something a little out of the ordinary. I wasn’t to be disappointed.
This picture tells 1001 words.
Can we just take some time to appreciate the next level decoration as seen at the front of the stage?
They came down to Earth from their home planet during the 2020 lockdowns and ended up in Wrexham. How extremely fortunate for the town and its residents to be graced with their presence.
Towards the end of their set, they were joined by some of their interplanetary friends. Yeah, you had to be there.
And if you weren’t, you missed out on seeing this! So yes, I got the complete out of the ordinary experience I was expecting. What a trip. And an enjoyable one at that.
Positive random encounters were at their highest on the Saturday for me. Including one with a gentleman who I had a short conversation with after a short meal break and on my way back to Old No. 7. He approached me because he believed he’d seen me out and about at various gigs in Manchester and he recognised my face. Crazy, but true. So, if he somehow happens to read this, it was cool to meet you. And don’t hesitate to see hi if you seen me again.
Back at Old No. 7, and there in time to catch the final few songs from the set of Alekxandr. I didn’t think that I’d be back in time to see anything from him, so that was an unexpected pleasure.
A bit of accordion action next, courtesy of Heather Ferrier. It’s not often I get to see someone playing an accordion on stage, so I wasn’t going to pass up on this opportunity, especially after hearing ‘Apple 1’ on Spotify a few days prior, and liking it.
The first of three appearances over at Tŷ Pawb had the purpose of spending some time in the company of tAngerinecAt as we watched Cerys Hafana’s traditional folk offerings together. The harp she played on was a lot bigger than it looks here.
She had the assembled crowd hanging on her every sung lyric and spoken word.
The vast majority of my remaining Saturday programme took place over at The Rockin’ Chair. And it all kicked off with me joining the set of Carlota Flâneur in progress.
I was very impressed by the music of Laurence-Anne in my planning stages, and I made a point of being there to watch her set in The Rockin’ Chair’s smaller room. I made the right choice.
Very expressive in her vocal delivery and stage presence.
And only at FOCUS Wales could I see artists playing an accordion, a harp and a recorder on the same day. How’s that for diversity?
This shot does not do any justice whatsoever to the energy and drive that Korea’s Wedance brought to their set. You’re just going to have to take me at my word when I tell you that they were PROPERLY going for it. If they ever come back to the UK, catching them at a show is 100% recommended.
Making their way to Wrexham for the first time were Newport’s PARCS. And if they carry on in the same vein, they’ll certainly be asked back up north to play many times over. Decide for yourself by giving their ‘Dawnsio Trist’ EP a listen.
And now to the act that was the biggest surprise for me for the whole of FOCUS 2023. And a pleasant one at that. I wasn’t quite sure what to expect from Hannah Grae prior, but my goodness, this one has everything. Powerful vocals, and a fantastic stage presence. A bit further from the crowd being in the main room, but she had a way of keeping everyone in that room involved and engaged.
Whatever you hear from her on record is amplified several times over when she and her band perform live. Again, as with others I’ve mentioned, if you have an opportunity to see her play life, I cannot recommend that you take it up highly enough.
Uh-oh, it’s the obligatory ‘he’s in there somewhere’ shot! Back over to Tŷ Pawb, and there in good time to catch part of Ogun’s set in the Flexible Space. Lots of familiar faces in the crowd representing.
HMS Morris were on my list of priority acts to see over in Tŷ Pawb’s Performance Space. And to think that I didn’t even know of their existence as of a few weeks ago.
Thanks to our mutual friend Mali Hâf using their song ‘Family Souls’ as background music to a short video that she created for her socials, I was able to find out for myself just how good they are. Family Souls is now in line to be one of my top twenty tracks of the year, a long way to go before that is officially the case, but they’ve more than earned that chance.
I read in one of their interviews that they liken themselves to being introverts dressed as extroverts. Few things say that more than the donning of headgear that resembles a hybrid of drill sergeant and lampshade.
I enjoyed myself, just as I knew I would. Note the presence of Katie and two other talented musicians adding to the numbers of HMS Morris as they continued to perform to a high standard. I definitely want to see them play again.
Main event time for me back at the main room of The Rockin’ Chair. I have been a fan of Dream Wife for over six years, about a year or so before the release of their first album. Simply put, I think they’re amazing.
Rakel Mjöll. So much stage presence, mixed with the right amount of charisma and sass.
Alice Go. I’ve seen a lot of guitarists play live on various stages over the years. She is easily in my top five, no question about it.
Bella Podpadec. Bassist of the highest order, and many’s the time when you might see her at shows coming out early to draw sketches of bands playing in support of them. And do try to stay out of the way of her high kicks.
Alex Paveley. The Wives couldn’t wish for anyone better to back them up on drums.
It’s great to watch them continue to have so much fun on stage as they continue to perform. So looking forward to hearing their third album ‘Social Lubrication’ upon its release in a few weeks from now.
Final visit of the weekend to the Flexible Space of Tŷ Pawb, and to see a band that is on the up. Private Party, remember the name and be sure to check them out.
Brodcasting legend Adam Walton introduced them onto the stage, and they are more than worthy of such an endorsement. And if you want to consider the endorsement of this mere mortal in addition, they’re very very good. Start with their song ‘Could’ve Asked Sooner’ and take it from there.
I absolutely loved each and every one of my encounters with NADUH across the entire weekend. Such lovely people, and their music is top notch. If they return to the UK on a future tour, don’t even bother trying to stop me from buying a ticket!
Here we all are, along with Queen of Harps and Mauvey, as we passed each other on the way to our next shows of the night.
Shortly afterwards, another very welcome encounter with this one. Myself and Ffion (Foxxglove) are pretty much kindred spirits at FOCUS Wales now. The first year for both of us in Wrexham was 2021, and we have come back for the festival every year since. Long may this run continue.
My final 2023 FOCUS stop brought me back to The Rockin’ Chair, where I was able to enjoy a fantastic set from Band Pres Llareggub in progress. They had the crowd rocking with their mastery of their brass instruments and the party vibe that they generated.
Don’t mind me, just having a cheeky cider in between sets. Inch’s. Yum.
Final act of the day, and indeed the whole thing. ACID KLAUS, that’s him on the right, accompanied by his talented musician buddies.
A mixture of crowd roasting and good natured banter with his top notch production. A party with an edge.
I had a fantastic time, and it served to be a great way for the music, and the partying, to draw to a close.
What was to prove to be the penultimate encounter with Mouraine (second from left) and his crew (I would see them again for the final time on the train journey out of Wrexham a few hours later). Again, as with NADUH, fantastic to see them so many times. Hopefully our paths will cross again in the future for more ‘educated’ conversations.
One final 2023 look at the HWB. So many fun happenings took place in there on this go round.
A few hours of sleep back at the hotel, and then the Highlander was packed up and ready to go.
Snapped partway through the journey home back to Sheffield at Stockport, Greater Manchester. Fun fact: I used to live there. The town obviously, not the train station.
This one probably doesn’t show up too well here, but I had to deal with a bunch of relevant train delays and cancellations on the way back. After the idyllic surroundings and atmosphere of Wrexham, definitely a hard case of welcome back to reality!
But I eventually made it back. This was snapped shortly after I made it through the front door of my Sheffield home of 3½ years.
So all in all, another great FOCUS! Yes, the problems I spoke of in earlier posts were quite trying, but my overall experience wasn’t ruined. I just hope to return again next year to continue what has basically become a love affair now.
Thanks to everyone involved in the running of the festival for making it happen, those they partner with to amplify the experience, those who performed, those who worked tirelessly behind the scenes to help their performances to be the best they could be.
Thanks to my friends, both onstage and off, for helping to contribute to my positive experience, and to those who I met during the festival who are sure to become good friends in the long run. Such encounters go a long way you know.
And, of course, the biggest thanks of all goes to Unity. Thank you for being a great friend, and for continuing to be the wonderful person that you are. Looking forward to doing even more collabs with you in the future.
I originally had a cool snap that we took together at 2022’s FOCUS underneath this, one that I chose to use again from a previous piece. But to reflect the fact that a Unity is for life and not just for FOCUS, here’s a snap of the two of us from the Sbardun EP launch event at Porter’s Cardiff from February 2023. That was a truly brilliant night, spent in the company of many great friends, and me being down for it from Sheffield wouldn’t have happened without her mentioning it to me in the first place. She’s a real one, and I am very happy to have her in my life.
Okay, that’s it! However you chose to read these pieces – top to bottom, scrolling through to look at the pictures, looking for the part where I specifically mentioned you because I told you you’d be in there, anything else – thank you. I appreciate you more than you will ever know.
If you liked what I put out, keep an eye on my Facebook, or any future Unity team ups. There will be plenty to keep you entertained.
Alright, show’s over. Have a safe journey home.
Thanks for reading
LG
