Results from the questionnaires can be found HERE.

WHAT WE DID

Cathays & Central Youth & Community Project (CCYCP)’s ‘Graffiti in Health’ project ran from April 2024 to November 2025. The original plan was for it to be a six month project but unfortunately, we faced some challenges with our partners and so it ended up being spread over a year and a half.

The project was focussed on exploring how the existing peer support system for graffiti writers could be strengthened by partnering with specialist organisations.

MAY-JUNE 2024

We held two sketch sessions to shape the project. These were attended by 12 graffiti writers – a mixture of ages and abilities, mostly from Cardiff, following a post about the project and reaching out to people in our network. The sessions were informal, with vinyl decks and a mic set up for DJs and MCs.

JULY 2024

Our health partner ‘Arts For Health & Wellbeing’ (Cardiff & Vale University Health Board) sadly folded.

NOVEMBER-DECEMBER 2024

We were happy to secure a new partnership with Adferiad and they came to a sketch session with 5 graffiti writers, to find out more about the project. They also attended a jam in Glebelands Park, Newport where 21 people signed up to paint together.

JANUARY 2025

7 graffiti writers met with Adferiad to find out how they could support what we are doing. The main outcome was a request for safeguarding and other training. Adferiad were keen to receive help with engaging with young people.

Laurel MacCormac (Sociology, Social Anthropology & Statistics BA Joint Hons) helped design questionnaires to gain a better understanding of the motivations for people to paint graffiti, and the gaps in accessing health and other service providers.

FEBRUARY-JUNE 2025

Questionnaires were asked by Cheryl Medway (Youth & Community Work BA Hons), at four paint jams:

Ein Stryd (partnership with She Paints Our Streets and New Era Talent)

Jungle Jam (partnership with Cardiff Council and New Era Talent)

Bridge Street Jam (organised by Making Places Beautiful)

Sevenoaks Park (organised by an independent graffiti writer)

Results from the questionnaires can be found HERE.

We supported two graffiti writers into work placements with Cathays Community Centre and New Era Talent.

We began developing a project idea for people affected by poor dental health, which can impact on confidence, particularly relevant for people in recovery from addiction. The ‘Bare Grills’ project would see dental work carried out in exchange for creation of murals.

SEPTEMBER-NOVEMBER 2025

We had no further communication from Adferiad and so we continued with New Era Talent partnering with us to deliver a Safeguarding training session.

CCYCP’s safeguarding lead Russell Munton delivered a session with Gemma Smith (New Era safeguarding lead), which was attended by 5 graffiti writers, four of whom are involved in delivering youth projects. Two New Era youth mentors who were involved in running the Ein Stryd jam also attended. A follow up session was held, to begin working on a street-based safeguarding policy and guidelines. New Era are now supporting Alicia Gil-Cerventes (She Paints Our Streets) to do a Youth Work Level 2 qualification.

PHOTOS: KRIS WEBSTER

The quote of the day, and that was just before 1pm! Too good to resist.

To those who know, welcome back, great to see you. And to those who don’t, it’s a warm welcome to you. And thanks for checking this out, the first of my day-by-day roundups of the events of FOCUS Wales right here at Millimagic in association with Unity!

Amelia gave me a major leg up when she first invited me to guest blog here two years ago, and I have returned each year since to do the honours. 2024 is my first year doing it without Unity being here in Wrexham too, and I’m still getting used to that to be honest! But I’ll definitely hold the fort down for her, and for everyone else interested.

Okay then, shall we get down to business?

My 2024 FOCUS Thursday kicked off with my usual walk over to Glyndŵr University to see not only the first of the acts scheduled to play, but also to reunite and catch up with the staff and students who I’ve become friendly with over the years. This here is Nia, who I initially met during her first year, saw her again during her year two, and now here again just weeks away from her graduation. So cool to see the transition and her confidence grow from year to year, and I wish her all the best in her career going forward.

The music part of proceedings kicked off with a showcase of Canadian talent, the first of it being Fold Paper. This ensemble, led by Chell Osuntade, produced a vibrant opening offering.

Plenty to listen to, and to be excited about.

Everybody who performs at the university also takes part in an interview later on to complete the media package. It was cool to watch from a distance, and to see Chell be calm and composed with his answers.

Next up at Glyndŵr were sibling led Candian band Vox Rea. Some relaxed, chilled numbers in the offing. And it was them who gave me my ‘dripping wet reverb’ tagline during their soundcheck!

Many different musical influences on display. The song they performed here was a particularly emotional one.

More acts played at the uni for a fair while longer, but as is my tradition, it was then time for me to head into the city centre and start the venue hopping! First on the agenda was my first 2024 visit to Hope Street Church and to check out a handful of Ukranian acts playing a showcase. First to see were Akine. No nonsense, straight from song to song, and completely held the attention of the assembled audience.

“Hi. My name is Ratmir Bilodid. I’m a performer…obviously”

The dry, subtle humour to go along with his multi-instrumental talent.

He did a good job, rather captivating.

Next to play was electronic artist NFNR, who explained that the majority of her work to be performed during her set was composed in 2022 around the time of the Russian invasion. A poignant reminder of the reality of the current situation.

From there, it was a first visit to Old No. 7 and the Larynx Entertainment showcase. Always great to touch base with Dave Acton, you saw him up above at the very top of this piece.

First to take the mic was Greyzee, his first ever time performing at FOCUS. He said that he was nervous afterwards, but he didn’t show it.

“What’s the vibes? MILLION VIBES!” KAYO brought the party, the carnival atmosphere and the general good vibes all the way from St. Lucia for his set. You couldn’t help but get down with him.

Always great to hang out with the Kaptin, wherever whenever. Kaptin Barrett is truly one of the industry’s good guys.

If the guy running the show is able to step up with bars of his own in the event of a scheduled performer having to withdraw, it isn’t the worst backup plan in the world. Dave Action handling his business on the mic…

…before taking his message directly to the people.

After saying my goodbyes, I then headed over to HWB Cymraeg to see Parisa Fouladi perform some beautiful songs in Welsh. Standing room only.

Well it would have been rude to have rocked up at the time I did and then stood in their way!

A FOCUS first then followed for me, as I then headed over to The Fat Boar for a first ever visit in any capacity. Providing the tunes was Nicole Ariana and her cool band.

The Rockin’ Chair always features in my FOCUS plans. A fleeting first visit this time around to catch Angharad and her band perform. The message up front means everything.

I was in The Parish the day before for the launch event. Back there properly at this moment to see Wrexham locals Jonny Ash do their thing.

I’ve seen them play once before, and it was great to have the pleasure once again.

I love returning to Tŷ Pawb, it is such a cool space! French band W!ZARD certainly attracted my attention during the planning stage for my own personal schedule, and the live experience of seeing them play certainly didn’t disappoint.

I just love this shot. A mixture of nonchalence and cool.

As I was leaving Old No. 7 earlier, I told Kima Otung that I would catch her set over at Tŷ Pawb later on. I’m a man of my word.

She’s a very confident performer.

Some country happenings next in the Flexible Space courtesy of Cowbois Rhos Botwnnong.

Yep, we made our choices. Not going to dwell on that here. I’d been waiting literally years for this moment to see Sage Todz play, and I was going to grab it with both hands…

…and I loved every second.

Back then to The Rockin’ Chair for the weird and wonderful part of proceedings.

I went to Room 1 to be graced by an intstrumental of ‘Sexy Extra Terrestrial’, heralding the imminent arrival of Wrexham settling aliens Cosmic Dog Fog. When one sees them, one never forgets the experience.

The short hop over to Room 2 saw me then witness Worldcub do their thing. Plenty to be enjoyed there.

A bucket list moment then followed in the big room, as I then saw Snapped Ankles in their latest emergence from the forest. As with Sage Rodz, I’d been waiting a very long time for this particular live experience too.

Whoever knew that trees could play music in a manner as good as this?

This picture does not in any way do justice to the amount of feral energy that SHLUG then brought to proceedings in Room 2. But keep reading…

Oh wait, what’s this!!!! NO WAY. Minas then emerged with a mic, and you know that intensity was immediately going to ratchet up!

So, so crazy. And I enjoyed it. And would have done so anyway even without their special guest.

But it’s still fun to hang out with one of my people.

I go to Manchester all the time for shows, and I like to keep my ear to the ground in respect of music and artists over there. Sometimes I miss a few, so it was great to make the acquiantance of Antony Szmierek as his band in the quintessential ‘better late than never’ manner. The party atmosphere of his set was the perfect way to close out the events of Day 1.

Wall to wall as usual when I’m in Wrexham without missing a beat.

I already showed you my plans for Day 2 in my last dispatch, and the full roundup of what was a glorious day will be coming your way early next week. So much good stuff happened, and I want to ensure that you get the full LG flavour with the time, care and attention that the piece deserves.

Here’s what I have in store for Day 3:

A visiting taste of Manchester comes to the fore with me looking forward to taking in the sets of The Red Stains and LIINES. But in bringing things back to Cymru, I’m so very pleased to be taking in the soulful reggae of Aleighcia Scott once again, and to see JP take to the mic at Old No. 7. With Deerhoof unfortunately being unable to travel over to Wrexham after this schedule was produced, Gallops are a more than worthy replacement.

The roundup to Day 3 will naturally follow after Day 2 early next week. Look out for them both.

And thank you very much for reading and engaging with everything that I have given you whilst here in Wrexham.

Take care and speak soon.

LG

Hi guys.

So what’s a FOCUS Friday for me without some kind of technological hiccup?

You’d think by now after what is now three years on the trot that I should have expected that I would have to deal with something like this, right?

But at the same time as my FOCUS writings I’ve been working on a major piece for a band whose new album comes out today on my own blog. This is a band that is very special to me, and I wanted to create something equally as special for them to go along with it.

I finished my end in good time, but then I had to deal with a bunch of technological setbacks that made my finished article not present in the way that I wanted it to exactly look. And that took AGES to fix.

So, sadly as a consequence, my FOCUS 2024 Day 1 roundup will not be with you just yet. You will have it on Saturday morning though, and who knows, if I have time I might be able to deliver to you Days 1 and 2 back to back.

But I will never of course leave you completely empty handed. As a taster of what is to come, here’s a shot of Cosmic Dog Fog who brought a touch of the weird and the wonderful to The Rockin’ Chair late on in proceedings.

Here’s what I have lined up for Day 2:

Today is definitely one for familiar faces. For the fourth FOCUS in a row, I will be watching my dear friends CHROMA take to the stage. In addition, reunions with Mali Hâf, Aisha Kigs, Niques and HMS Morris are on the cards, and I will also be watching Adwaith and Flamingods once again.

I’m looking forward to sharing my experiences of catching everyone on the list as soon as everything calms down with the technicals. So bear with me, and there should be more pictures for you to look at the next time around.

But for now, it’s a goodbye and speak soon.

Oh, hello there. Long time no speak!

I’m baaaaack. For those who don’t know, Leo’s the name, and I guess regular blogging is my game now.

I just launched a blog of my own, but my getting to this point only came after the friendliness and encouragement of a handful of people who believed in my writing ability.

And few more so than my gracious host here. Don’t you worry, there will be no primadonna behaviour from me. There will be plenty more Unity-LG collabs to come in future, and not just during the festivities of FOCUS Wales.

That LG Takeover link you see up above? It’s been there a while, and the hope was that I’d start writing more regularly here sooner. But I’ve had a few significant life changes and there are other things in my life that have taken a greater priority in my life over the past few weeks.

I’ve since managed to ‘recalibrate’ things if you will, and after this round of dispatches for FOCUS WALES 2024 is complete, you will be seeing a lot more content from me here in times to come. And bespoke pieces too, you won’t even find them on my own blog! (It’s called Enigmatic Shenanigans II, by the way.

But back to the here and now. I am very excited to be back here in Wrexham for my fourth straight FOCUS. Though it is with a tinge of sadness as it will be the first one not being in the company of Unity. She’ll definitely be missed, but the show must go on. And I endeavour to do her – and everyone else reading – proud with my content.

As always, the first place to read about day-by-day festival schedule is right here. So let’s get to it for Thursday, shall we? You know how I do, wall to wall always!

There are a lot of artists new to me when I get going in the morning, but there are some who have been on my (virtual) list of people who I’ve wanted to see for a while, such as Snapped Ankles. In fact, the only act here that I’ve seen before – and at a past FOCUS, no less – is Jonny Ash, one of Wrexham’s finest. Looking forward to seeing them grace a stage once again.

And now time to address the elephant in the room.

2145. Oh my days. Easily the worst clash I’ve had to deal with in my entire time attending FOCUS. So, so cruel. If you look at the schedule in full, you will note that two outstanding artists in Sage Todz and Skunkadelic are set to play at exactly the same time in different venues.

Why, FOCUS. WHY!!!!

And each with only one set too. In the end, I went with Sage Todz simply because I’ve been waiting for a chance to see him do his thing for literally years now, and even though I’m missing out on Tumi this time around, I’m sure we’ll bump into each other many times during the weekend, and it is inevitable that I’ll either see him onstage solo or with Afro Cluster at some point in the future. And hopefully soon.

As always, check back here on the daily or on the prompting of a link shared by Unity or myself. And hopefully you’ll have fun experiencing a taste of FOCUS vicariously through my experiences.

Bye for now!

TRIGGER WARNING: domestic violence and abuse

It’s kinda hard to believe that Dick Dastardly (real name Dean Thomas), a staple player in Cardiff’s Hiphop scene for the last 18 years, only released his debut solo EP in 2021 via Bard Picasso. His follow up track ‘Give Me Love’ was aptly released on Valentines Day this year, with a video featuring Lady AB (Annabelle Johnson) and shot by Charlie JPEG.

Produced by Raph Stormwalker, the track includes a sample of a woman’s voice ‘Give me Love so that I can kill’… which provides the anchor for Dastardly’s lyrics, which he describes as ‘an anti-love song within a love song’. The track is about abuse – both physical and mental, portrayed in the video through using S&M imagery and tightly shot in an attic space, giving the video a claustrophobic feel. When writing to the track, Dean wanted to capture the desperate feeling of wanting to be loved, but also a dark undertone which was reflected in the music. He had pictured the video throughout the writing process and enlisted Charlie JPEG to co-direct, film and edit what Charlie says was the hardest shoot he has done to date.

Because of the subject matter, the three artists, while not professionals in dealing with trauma, had to ensure that they approached the shoot in a trauma informed way. Pushing personal boundaries portraying something that sits uncomfortably close to home, they were conscious to create an environment where they could fully support one another throughout the process. Capturing the content in an honest and open way, whilst also protecting themselves was a tough job, but one which most definitely brought them closer together. Music can be a healing process, but a process which brings up things that are often buried extremely deeply and supporting one another through this is an important part of collaborating with others on creative projects.

The close relationship that Dean and Annabelle have in real life is what makes this video possible. They were able to explore the blurred lines between abuse and kink, sexualisation and normal, through Annabelle’s portrayal of a fantastical character sucking the soul from the other person in an abusive relationship. The tricky question of how to visualise trauma creatively is one that Annabelle was able to bring to life through approaching the project in a playful way. She was able to find a balance in the love/hate nature of the character she was playing through using humour within the darker content of the track and visuals, with the sci-fi element of the whip giving an extra layer to the overall fantasy.

Once the video was shot and edited, there began the problematic process of promotion. Facebook’s ban on sex and nudity, and the choice of the thumbnail image with the ball-gag, mean that the promo was removed from the platform, making it difficult to get the video seen. Charlie JPEG’s private story about the project was also flagged. A whole other conversation could be had around algorithms dictating how we express ourselves through music videos, but also how the choices we make in our content can affect others and how this can be approached. Annabelle being aware of the possibility of children seeing the video was something to be carefully thought about because as we all know, once something is out there it can be seen by anyone. Representing sexually empowered material, with a realisation that the intention behind the project is bigger than any one person, combined with the potential for the video to impact positively on somebody, means that Lady AB is proud they had the strength to give it a go.

Watch ‘Give Me Love’ on youtube:

Dick Dastardly Give Me Love

Catch Lady AB at Fractal, 20th May in Bristol

Lady AB and Dick Dastardly both feature on Dirty Alex’s recent single ‘Built to last’ 

Purchase Great Ape Fist by Dick Dastardly: Great Ape Fist | Dick Dastardly (bandcamp.com)
Look out for his new project ‘8 Billion People in the World & I’m Stuck Here With You’, due out this summer, as well as an EP with well-respected producer DJ Alkemy and a spoken word EP.

As well as networking and taking bookings for shows outside of Wales, Charlie J is editing together footage filmed on a recent trip to Australia. He’s also working on an album so keep your eyes peeled for that!